APPOINTMENTS
Robert M. and Ruth L. Halperin Associate Curator of Modern and Contemporary Art, Cantor Arts Center, Stanford University, 2022–present
Assistant Curator of American Art, Cantor Arts Center, Stanford University, 2018–2022
Jane and Morgan Whitney Fellow, The Metropolitan Museum of Art, 2017–2018
CURATORIAL LEADERSHIP
Co-Founder and Co-Director, Asian American Art Initiative, Cantor Arts Center, Stanford University, 2018–present
SELECTED EXHIBITIONS
Co-curator, California Current: Art and Histories from the Bay Area, October 29, 2026–October 23, 2028, Cantor Arts Center
Curator, In Focus: Asian American Art from the Collection, August 27, 2026–February 22, 2027, Cantor Arts Center
Curator, Mel Chin: The Hauntology of Their Labor; Violette Bule: Hydra; Viêt Lê: trang trang / milk moon, March 19–July 19, 2026, International Artist-in-Residence Program, Artpace San Antonio
On-site Curator, Shahzia Sikander: Collective Behavior, September 20, 2025–January 25, 2026, Cantor Arts Center (from Cincinnati Art Museum)
Co-curator, Dwelling: New Acquisitions, October 4, 2024–August 3, 2026, Cantor Arts Center
Curator, Spirit House, September 4, 2024–January 26, 2025, Cantor Arts Center (traveling exhibition)
Curator, Livien Yin: Thirsty, August 21, 2024–February 23, 2025, Cantor Arts Center
Curator, Black Codes: Art and Post-Civil Rights Alabama, January 23–July 7, 2024, Jule Collins Smith Museum of Fine Art, Auburn University
Curator, Louisiana Contemporary 23, August 5, 2023–February 18, 2024, Ogden Museum of Southern Art
Curator, East of the Pacific: Making Histories of Asian American Art, September 28, 2022–February 12, 2023, Cantor Arts Center
Curator, The Faces of Ruth Asawa, July 6, 2022–ongoing, Cantor Arts Center
Curator, The Medium Is the Message: Art since 1950, February 23, 2019–November 26, 2023, Cantor Arts Center
On-site Curator, Jordan Casteel: Returning the Gaze, September 29, 2019–February 2, 2020, Cantor Arts Center (from Denver Art Museum)
SELECTED PUBLICATIONS
Books
Editor and contributing author. Asian American Artists: 1840–NOW. Phaidon, forthcoming 2027.
Editor and contributing author. Spirit House: Hauntings in Contemporary Art of the Asian Diaspora. Cantor Arts Center and Gregory R. Miller & Company, 2024.
Edited Special Issue
Co-editor with Marci Kwon. “In the Round: Asian American Art: Pasts and Futures.” Panorama: Journal of the Association of Historians of American Art 7, no. 1 (2021).
Essays and Articles
“Which Is to Say, Ourselves.” In Wonder Women: Art of the Asian Diaspora, edited by Kathy Huang. New York: Rizzoli, 2025.
“Cathy Lu’s Secret Garden.” In Reunited: Bay Area Candidate Artists from the National Museum of Women in the Arts’ Women to Watch Program 2018–2024. San Francisco: Colpa Press and the San Francisco Advocacy for the National Museum of Women in the Arts, 2025.
“Tidawhitney Lek’s Elsewheres.” Exhibition essay for The Stories We Tell: Tidawhitney Lek, Emil Sands, Khalif Tahir Thompson. Victoria Miro Gallery, London, 2024.
“Drawn Together: Ruth Asawa and Community.” In Ruth Asawa: Through Line, edited by Kim Conaty and Edouard Kopp. New Haven, CT: Yale University Press, 2023.
“Atlas for the Twenty-first Century.” Catalogue essay in Panorama, Cantos Unfolding: The Art of Xiaoze Xie. Whitman College: Sheehan Gallery, 2023.
“‘Regional’ Is Not a Dirty Word.” In Unfolding Forms: Studies in Honor of Roger P. Hull, edited by Ricardo de Mambro Santos and John Olbrantz. Salem, OR: Hallie Ford Museum of Art, 2023.
“Future Pictures from the Yellow Pages of History.” Catalogue essay in Lien Truong: From the Earth Rise Radiant Beings. Davidson College: Van Every/Smith Galleries, 2021.
“Asian American Art and the Obligation of Museums.” Conclusion to “In the Round: Asian American Art: Pasts and Futures.” Panorama: Journal of the Association of Historians of American Art 7, no. 1 (2021).
“Magic City Modern: A Short History of the Birmingham-Bessemer School.” Panorama: Journal of the Association of Historians of American Art 6, no. 1 (2020).
Short Texts and Interviews
“Pinaree Sanpitak.” Vitamin P4: New Perspectives in Painting. New York: Phaidon, 2026.
“Ruth Asawa” and “Bernice Bing.” The American Art Book, revised and updated edition. New York: Phaidon, 2025.
“Interviews: Reagan Louie on Surviving the American Dream.” Aperture 251, Being & Becoming: Asian in America, Summer 2023.
“In Conversation: Aleesa Pitchamarn Alexander with Dominique Fung.” Critics Page, The Brooklyn Rail, July–August 2022.
“Between Worlds: The Art of Bill Traylor.” Book review. Panorama: Journal of the Association of Historians of American Art 6, no. 1 (2020).
“One of Black Southern Art’s Greatest Advocates, William S. Arnett, Dies at 81.” Hyperallergic, September 1, 2020.
“Thornton Dial Takes Fifth Avenue.” Critics Page, The Brooklyn Rail, July–August 2018.
“Jug Head I,” “Jug Head II,” “Lovers,” “Homage to Malcolm,” “The Afro American Thunderbolt,” and “Bosom for Aunt Surlina.” Catalogue entries in Odyssey: Jack Whitten Sculpture, 1963–2017. New York: The Metropolitan Museum of Art, 2018.
“Toys,” “Glass Bowl with Fruit,” “Chalkware,” “Milliner’s Head,” “Noah Purifoy,” “Baby in a Red Chair,” and “Index of American Design.” Catalogue entries in Outliers and American Vanguard Art. Washington, DC: National Gallery of Art, 2018.
“Ronald Lockett’s The Enemy Amongst Us and the Artistic Lineage of Bessemer, Alabama.” Collection Insights, The Metropolitan Museum of Art, 2018.
“Art Brut.” Routledge Encyclopedia of Modernism. Taylor & Francis, 2016.
“Hobby,” “High Trash,” “Lists,” “Classification,” “Accumulation/Collection,” and “Scrapbooks.” Catalogue entries in Henry Darger 1892–1973. Paris: Musée d’Art Moderne de la Ville de Paris, 2015.
PROFESSIONAL SERVICE & ACTIVITIES
Invited Participant, Curatorial Forum, EXPO Chicago and Independent Curators International, 2026
Invited Participant, Primer SE Asia, National Gallery Singapore, 2026
Guest Critic, Annual MFA Thesis Exhibitions, California College of the Arts, 2021–2026
Expert Reader, The American Art Book, revised and expanded edition, Phaidon, 2025
Invited Participant, Asian American Art Histories, Pasts and Futures, study day hosted by the Smithsonian American Art Museum and Smithsonian Archives of American Art, 2025
Reviewer, Tyson Scholars of American Art Fellowship, Crystal Bridges Museum of American Art, 2025
Nominator, Ruth Awards, Ruth Foundation for the Arts, 2024
Nominator, Trellis Art Fund, 2024
Invited Participant, Ruth Asawa Study Day, Menil Drawing Institute, 2024
External Reader, Exhibition Grants Program, Terra Foundation for American Art, 2023–2024
Advisor, Whitney Museum of American Art Collection Strategic Plan, 2023
Advisor, Baltimore Museum of Art Strategic Planning Committee, 2023
Visual Arts Juror, Lucas Artists Residency Program, Montalvo Arts Center, 2023
Juror, Introductions 2021, Root Division, San Francisco, 2021
Portfolio Reviewer, Virtual Portfolio Review, ICA San Jose, 2021
Nominator, Gold Art Prize, 2021
Reviewer, Smithsonian Congress of Scholars and Secretary’s Research Prize, Smithsonian Institution, 2020
Juror, Artadia Award, San Francisco, 2019
EDUCATION
Ph.D. in Art History, University of California, Santa Barbara, CA, 2018
M.A. in Art History, University of California, Santa Barbara, CA, 2012
B.A. in Art History, Willamette University, 2010
AWARDS
Staff Award, Stanford Asian American Awards, 2023
East of the Pacific: Making Histories of Asian American Art, Re-envisioning Permanent Collections Grant, Terra Foundation for American Art (for Cantor Arts Center), 2022
Printmaking Workshop for Early-Career Curators and Scholars, Association of Print Scholars and The Paper Project, Getty Foundation (Lithography and Monotype, New Mexico), 2022
Conservation of 32 works for the Asian American Art Initiative, Bank of America Art Conservation Project Grant (for Cantor Arts Center), 2021
Living for Change: Art, Aesthetics, and Asian America, Academic Workshop Grant, Terra Foundation for American Art (for Cantor Arts Center), 2021
American Craft Council Conference Scholarship, 2016
Graduate Research Grant, The Center for Craft, Creativity, and Design, 2016
Ailsa Mellon Bruce Predoctoral Fellowship for Historians of American Art to Travel Abroad, Center for Advanced Study in the Visual Arts, 2014